Irving Kristol, a fellow at the American Enterprize Institute, describes the current time as "a shaking of the foundations of the modern world."

Allen says: A massive intellectual revolution is taking place that is perhaps as great as that which marked off the modern world from the Middle Ages . . . The principles forged during the Enlightenment … which formed the foundations of the modernmentality, are crumbling.

The collapse of Enlightenment Humanism is imminent, and the attacks on it are from all angles. From religious conservatives to scientific liberals, the desire to overhaul the presuppositions of modernity is a shared goal, although the motives differ greatly. Christians welcome the opportunity for credible public discourse concerning their faith, and many scientists are eager to see a shift in scientific outlook that will account for the anomalies that modern science has avoided. These are exciting times, times when the church should be alert.

In a postmodern world Christianity is intellectually relevant. With the demise of the absoluteness of human reason and science, the super-natural, that which is not empirical, is once again open to consideration. The marketplace of ideas is wide open, and opportunities abound. It is important that the church understand these important times in which it finds itself. But in addition to opening the door once again to the Christian faith, postmodernism, with its critical apparatus, has a few lessons for the church to learn.

What is interesting is that postmodernism strikes at the very same thing God did: language. Without language, logic and science are meaningless; they have no application. As we have seen, its each man for himself in his own private world. The arrogant, pseudo-unity that man had claimed to find was now just one of the many ways of looking at things. Logic and science were now relative to cultural interpretation. Like the people at the Tower of Babel, modern man has been fragmented and scattered. There is no center of discourse any longer.

In this light perhaps the most significant contribution of postmodernism is that it reminds us of our finitude. It reminds us that God is creator and we are his creation. It tells us that he must be the beginning of all of our thinking, that apart from him we could know nothing.

For our personal life, postmodernism shows us the futility of autonomy. It forces those of us who know Christ back to the basics of depending on Christ for everything, whether it is salvation or standards. That in him we have meaning and purpose for our lives; he is the vine, we are the branches, and apart from him we can do nothing.

To sum it up, postmodernism need not be seen as a mortal enemy. In many ways it drives us back to complete and total dependence on God. It reminds us that he is the foundation for every area of life, whether it is logic or law. It shows us that there exist no neutral, impartial domains that we can lean on in addition to him. Postmodernism points out that we all have presuppositions, and that no one is unbiased. We all bring our assumptions to our experience; each fact about the world is theory-laden. The question then becomes, "Which presuppositions are true?" The answer is clear: the Christian worldview is true. It alone is the only escape from subjective nihilism, for it alone provides the necessary foundations to make the facts intelligible. This being the case, the Christian is able to glean what is good from postmodernism, and reject the extremes.

Individual identity is fundamentally dependent on the mediation of the others. The self appears to be dependent on the other in its being. It is through intercourse with others that one finds one's self. I am, says Hegel, a being in myself, but only by myself through another. The individual perceives himself, in an inseparable way, in relation to the others and in relations to himself, but without the intervention of the others he would not be able to perceive himself.

Apart from being dependent on the intervention of the others in producing his own understanding of himself, the individual is dependent on creating a positive image of himself in order to endure himself and his surroundings. First and foremost, the positive image of self-esteem should be brought about by and in the individual himself, but it is dependent on the others' gaze. Self-esteem is created through action and negotiation with others, by committing oneself, by playing a role for the others and for oneself. In other words, built in to the identity as a process is a striving for self-esteem, and this self-esteem is shaped by doing. Thus, identity is not only a matter of evoking an image of oneself. One seeks other people's respect and confidence. In order to become something in one's own eyes one must feel appreciated by others for what one is and what one does. It is not only a matter of just being there, but of being of importance, of making a difference.

As a result of these ingredients - technology, human ingenuity and our own needs and desires - we have created a society in which much of the culture and politics, as well as the economy, is geared toward mass producing, and consuming, simulations. It is a society in which many simulations are intended to be mistaken for the real thing. But it is also a society in which simulations that were never meant to be misleading often end up being mistaken for what they resemble, by accident, thus making simulation confusion, like pollution and traffic jams, another unintended, and toxic, byproduct of technology.

Fortunately, as simulations extend their reach, we are developing new survival skills that help us to unmask illusions.

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.

The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be reestablished. Reality considered partially unfolds, in its own general unity, as a pseudo-world apart, an object of mere contemplation. The specialization of images of the world is completed in the world of the autonomous image, where the liar has lied to himself. The spectacle in general, as the concrete inversion of life, is the autonomous movement of the non-living.

The spectacle presents itself simultaneously as all of society, as part of society, and as instrument of unification. As a part of society it is specifically the sector which concentrates all gazing and all consciousness. Due to the very fact that this sector is separate, it is the common ground of the deceived gaze and of false consciousness, and the unification it achieves is nothing but an official language of generalized separation.

The spectacle is not a collection of images, but a social relation among people, mediated by images.

The spectacle cannot be understood as an abuse of the world of vision, as a product of the techniques of mass dissemination of images. It is, rather, a Weltanschauung which has become actual, materially translated. It is a world vision which has become objectified.

The spectacle grasped in its totality is both the result and the project of the existing mode of production. It is not a supplement to the real world, an additional decoration. It is the heart of the unrealism of the real society. In all its specific forms, as information or propaganda, as advertisement or direct entertainment consumption, the spectacle is the present model of socially dominant life. It is the omnipresent affirmation of the choice already made in production and its corollary consumption. The spectacle's form and content are identically the total justification of the existing system's conditions and goals. The spectacle is also the permanent presence of this justification, since it occupies the main part of the time lived outside of modern production.

Separation is itself part of the unity of the world, of the global social praxis split up into reality and image. The social practice which the autonomous spectacle confronts is also the real totality which contains the spectacle. But the split within this totality mutilates it to the point of making the spectacle appear as its goal. The language of the spectacle consists of signs of the ruling production, which at the same time are the ultimate goal of this production.

One cannot abstractly contrast the spectacle to actual social activity: such a division is itself divided. The spectacle which inverts the real is in fact produced. Lived reality is materially invaded by the contemplation of the spectacle while simultaneously absorbing the spectacular order, giving it positive cohesiveness. Objective reality is present on both sides. Every notion fixed this way has no other basis than its passage into the opposite: reality rises up within the spectacle, and the spectacle is real. This reciprocal alienation is the essence and the support of the existing society.

The concept of spectacle unifies and explains a great diversity of apparent phenomena. The diversity and the contrasts are appearances of a socially organized appearance, the general truth of which must itself be recognized. Considered in its own terms, the spectacle is affirmation of appearance and affirmation of all human life, namely social life, as mere appearance. But the critique which reaches the truth of the spectacle exposes it as the visible negation of life, as a negation of life which has become visible.

To describe the spectacle, its formation, its functions and the forces which tend to dissolve it, one must artificially distinguish certain inseparable elements. When analyzing the spectacle one speaks, to some extent, the language of the spectacular itself in the sense that one moves through the methodological terrain of the very society which expresses itself in the spectacle. But the spectacle is nothing other than the sense of the total practice of a social-economic formation, its use of time. It is the historical movement in which we are caught.

The spectacle presents itself as something enormously positive, indisputable and inaccessible. It says nothing more than "that which appears is good, that which is good appears. The attitude which it demands in principle is passive acceptance which in fact it already obtained by its manner of appearing without reply, by its monopoly of appearance.

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